Enzo wanted to leave by six, but already at four in the morning I heard him moving in his room and I got up to make him some coffee. In private, in the silent house, the language of computers disappeared, along with the Italian suited to Pietro's position, and we moved to dialect. I asked about his relationship with Lila. He said it was good, even though she never sat still. Now she was chasing after work problems, now she was squabbling with her mother, her father, her brother, now she was helping Gennaro with his homework and, one way or another, she ended up helping Rino's children, too, and all the children who happened to be around. Lila didn't look after herself, and so she was overworked, she always seemed close to collapse, as she once had; she was tired. I quickly understood that their harmony as a couple, working side by side, blessed by good salaries, should be set within a more complicated sequence. I ventured:
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