I left Naples definitively in 1995, when everyone said that the city was reviving. But I no longer believed in its resurrections. Over the years I had seen the advent of the new railway station, the dull tower of the skyscraper on Via Novara, the soaring structures of Scampia, the proliferation of tall, shining buildings above the gray stone of Arenaccia, of Via Taddeo da Sessa, of Piazza Nazionale. Those buildings, conceived in France or Japan and rising between Ponticelli and Poggioreale with the usual breakdowns and delays, had immediately, at high speed, lost all their luster and become dens for the desperate. So what resurrection? It was only cosmetic, a powder of modernity applied randomly, and boastfully, to the corrupt face of the city.
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老年1: 坏血统的故事 The Story of Bad Blood
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