In the early seventies a group of students -- dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs -- went in a body to his studio with the request that he would oversee their work and direct their studies. The artist thus chosen was Carolus-Duran. Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

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