Among the proverbs of Spanish folk-lore there is a saying that good wine retains its flavor in spite of rude bottles and cracked cups. The success of M. Rostand's brilliant drama, Cyrano de Bergerac, in its English dress proves once more the truth of this adage. The fun and pathos, the wit and satire, of the original pierce through the halting, feeble translation like light through a ragged curtain, dazzling the spectators and setting their enthusiasm ablaze.

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