It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it -- that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting. He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted. He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho. Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

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