It happened that around that time Mariarosa came to Florence to present the book of a university colleague of hers on the Madonna del Parto. Pietro swore he wouldn't miss it, but at the last minute he made an excuse and hid somewhere. My sister-in-law arrived by car, alone this time, a bit tired but affectionate as always and loaded with presents for Dede and Elsa. She never mentioned my aborted novel, even though Adele had surely told her about it. She talked volubly about trips she'd taken, about books, with her usual enthusiasm. She pursued energetically the many novelties of the planet. She would assert one thing, get tired of it, go on to another that a little earlier, out of distraction, blindness, she had rejected. When she spoke about her colleague's book, she immediately gained the admiration of the art historians in the audience. And the evening would have run smoothly along the usual academic tracks if at a certain point, with an abrupt swerve, she hadn't uttered remarks, occasionally vulgar, of this type: children shouldn't be given to any father, least of all God the Father, children should be given to themselves; the moment has arrived to study as women and not as men; behind every discipline is the penis and when the penis feels impotent it resorts to the iron bar, the police, the prisons, the army, the concentration camps; and if you don't submit, if, rather, you continue to turn everything upside down, then comes slaughter. Shouts of discontent, of agreement: at the end she was surrounded by a dense crowd of women. She called me over with welcoming gestures, proudly showed off Dede and Elsa to her Florentine friends, said nice things about me. Some remembered my book, but I avoided it, as if I hadn't written it. The evening was nice, and brought an invitation, from a small, varied group of girls and adult women, to go to the house of one of them, once a week, to talk -- they said -- about us.

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